Musical References
YouTube links with scores unless labeled WOS (without score)
Chapter 5
Musical Example #1:
Bach: Crucifixus
Musical Example #2:
Bach: Et resurrexit
Musical Example #3:
Beethoven: String Quartet, Op. 130 (beklemmt)
Musical Example #4:
Mussorgsky, Boris Godunov, Fool WOS
Musical Example #5:
Bach Cantata 111, “So geh ich mit”
Musical Example #6:
Don Quixote, “off” cadence WOS
Musical Example #7:
Don Quixote, “normal” cadence WOS
Musical Example #8:
Wagner, Tristan chord
Musical Example #9:
Shostakovich Symphony #15, quotes Wagner chords (from the Ring), then betrays expectation with an expectable (non-Tristan) chord
Chapter 6
Musical Example #10:
Beethoven Diabelli Variations complete, starting with the Waltz
Musical Example #11:
Mozart: Notte e giorno faticar (sung version)
Musical Example #12:
Mozart: Notte e giorno faticar (synthesized version with score)
Musical Example #13:
Beethoven Diabelli Variation #22
Musical Example #14:
Beethoven Diabelli Variation #22: Ending of laughter (onomatopoeia)
Musical Example #15:
Berg: Wozzeck opening
Musical Example #16:
Beethoven: Symphony #6 (Pastoral)
Chapter 7
Musical Example #17:
Beethoven: Symphony #5, beginning
Musical Example #18:
Beethoven: Symphony #5, Scherzo
Musical Example #19:
Beethoven: “Pathétique” Sonata, First Movement, second theme
Musical Example #20:
Beethoven: “Pathétique” Sonata, 3rd movement, first theme
Musical Example #21:
Prokofiev 7th Sonata, beginning
Musical Example #22:
Prokofiev 7th Sonata, short theme in middle voice
Musical Example #23:
Prokofiev theme, elongated and slowed down
Musical Example #24:
Prokofiev theme, slow version of extended theme reappears in bass
Musical Example #25:
Brahms, Symphony #1, last movement
Musical Example #26:
Mahler, Symphony #3, beginning
Musical Example #27:
Beethoven, Piano Sonata #32, op. 111
Musical Example #28:
Mahler, Symphony #2, fifth movement (listen for 30 seconds)
Chapters 7 and 17
Musical Example #29:
Beethoven, “Les Adieux” Sonata (listen for 12 seconds)
Musical Example #30:
Thomas Adès, Piano Quintet, first movement (listen for 15 seconds)